Saturday

2018 : Some Things I noticed in the Jazz & Broader Music World

SOME PREACHING HERE.......

2018 OFFERS UP NEW VOICES IN JAZZ. GET OUT & PAY FOR A TICKET TO YOUR LOCAL VENUES THAT SUPPORT JAZZ. PAY FOR JAZZ MUSIC ON THE INTERNET & PURCHASE PHYSICAL JAZZ CD's. TOURS FOR JAZZ MUSICIANS IS WHERE THEY CAN MAKE THE MOST MONEY. SUPPORT THEM.

DON'T DOWNLOAD FREE MUSIC OR SHARE WITHOUT PAYING FOR ENTIRE ALBUMS OF JAZZ MUSICIANS. THIS IS AN ART THAT NEEDS TO THRIVE. NOT SIMPLY SURVIVE.


PLEASE THINK TO GIVE THE GIFT OF EITHER PHYSICAL CD's OR ONLINE PURCHASES FROM JAZZ ARTISTS THIS COMING YEAR. LET'S MAKE JAZZ AN STRONGER ART FORM IN 2017.



That said....I found the most exciting thing in jazz to be when Esperanza Spalding decided to take everyone on an interactive journey utilizing the Facebook LIVE application to create something extraordinarily beautiful in 77 hours of time - a project called, EXPOSURE: https://www.youtube.com/watch?v=pAOezi2Ea0k&t=1s

I chose to contribute to this endeavor and I'm now awaiting the delivery of the final product though...it's been 9 months. HELLO!!?? Where is the follow through????

Meanwhile though, I see that she was listed as the winner of the JAZZ FM AWARDS: Digital Initiative of the year. I am also now seeing that she's performing the pieces from this project and they're being posted on youtube...but WHERE IS MY literal CD!!???




Another project I contributed to was Quincy Jones' QwestTV - a tv station format made entirely of jazz music. He launched a Kickstarter campaign so that one could become a backer - this was all in the winter of 2017. Although I did receive an email (that went into a SPAM folder so I didn't get it until now), I'm now having to go through interface hoops just to get my account activated, and my 1 year subscription is now 6 months wasted! https://www.kickstarter.com/projects/qwesttv/qwest-tv-quincy-jones-new-video-streaming-service?ref=user_menu

Both of these projects show that it's one thing to do such an innovative idea and execute it, but quite another to actually follow up with your fan base and DELIVER. Planning out the delivery of promised goods or services should be the NUMBER ONE goal upon LAUNCHING anything, and if it involves strictly online interaction to make it active, the process has to be really smooth or the backer misses out.

Now another jazz artist who DOES know how to innovate AND deliver rewards to his fans and was also nominated for the Digital Initiative of the Year of the JAZZ FM AWARDS was London- based Jacob Collier.

Jacob knows how to follow up with his fans and here is proof of him doing just that:
https://www.youtube.com/watch?v=1ulJmW6IkiM

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A bit outside of the more recognizable jazz world that happened so far this first half of 2018 has been the resurgence of the British 70's 'rock' band, Jethro Tull. Their jazz infused pieces shifted me more towards the larger world of jazz itself way more than when I attended a Freddie Hubbard concert when I was 13 and thought I wasn't into jazz. I just had not awoken to understanding the broader forms of it until Jethro Tull somehow connected me up to my exposure to Miles Davis and other earlier greats. I first saw Jethro Tull live when I was 14 years old and after 4 more of their concerts over the next two decades, I just attended their 50th Anniversary Tour in North America. They performed to a near sold-out crowd in one of Berkeley, California's most hollowed concert venues - The Greek Theatre.

Who knew that in June 2018 Ian Anderson was 70 years old, and has been performing regularly?! Although his voice is shot, he and the band more than made up for it with one of the BEST concerts I've experienced in my lifetime of great concerts (Michael Jackson, Luther Vandross, Prince, Madonna, The Isley Brothers, Joni Mitchell, Terri Lyne Carrington, Al Jarreau, Geri Allen, Tia Fuller to name some).

So while a lot of the Tull sound is injected with jazz (and blues), and Ian's flute and harmonica playing sound fresh as ever, do try and catch them during this seemingly unending North American, European & beyond 50th anniversary tour. It's full of surprises and you won't be disappointed!

http//jethrotull.com


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Some others that got my attention recently you may already know about - and check these peeps out if you haven't already -

The Ezra Collective: https://www.youtube.com/watch?v=egqklLjQ2dw

Laura Jurd (several projects) (Trumpeter & synthesist) Here she is with the jazz ensemble, Dinosaur:
https://www.youtube.com/watch?v=ZI22Hr9FDwU

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My last mention in this post: A stand-up-straight-baritone voice can be found in the SF Bay Area native, Nicolas Bearde. Nicolas put out his first real JAZZ CD last year with Nat Adderly, Jr. and it is SUBLIME! Whether you still play CDs or stream, check out his INVITATION offering and you will not be one. bit. disappointed:

Here's the title tune: https://www.youtube.com/watch?v=WeCotWx4hqw

His cover of Billy Strayhorn's LUSH LIFE will bring tears to your eyes, or you're missing some heart beats!

Enjoy and send me any of YOUR discoveries so far in 2018.
peace.

Monday

The need to have more representation of female jazz instrumentalists performing at the Monterey Jazz Festival held annually in California is long overdue. Coming up this September, the festival has made a nice move to host both trumpeter Ingrid Jenson and saxophonist Tia Fuller as the co-leaders for the event. 


However...and it's a BIG 'however'....
Once again, there are barely any other female jazz instrumentalists headlining AT ALL!!! The petition is launched AGAIN this year aimed at TIM JACKSON who is THE point person for the decisions made for selecting the artists each year. Each year the big headliners in the largest arena there (the Jimmy Lyons Arena) are male with few exceptions, and the female talent is reflected - ONCE AGAIN - in the VOCAL talent area.

Please sign this petition as we rev up towards September and keep the pressure ON Tim Jackson to WAKE THE HELL UP and let jazz grow!!





Tuesday

PETITION LAUNCHED & GAINING SUPPORT!

In less than 2 weeks, The Monterey Jazz Festival will hold its 57th annual event. Since its inception in 1958, MJF has had a history of limiting the number of women who are jazz instrumentalists while boosting the careers of hundreds of male jazz instrumentalists. This is a huge problem that affects the economic survival of the women musicians that are ignored, left behind and generally not supported. It affects their hiring for other venues throughout the year locally, in the state, in the USA in general, and also abroad.  The 'ASK' here is simple: That MJF commit to increase it's 2016 roster for female jazz instrumentalist headliners by at least 25%. MJF should reflect the values that California and the West Coast have always been known for in being one of the leaders the country in the arts community: PROGRESSIVENESS. 
Won’t you please sign this important action and become an agent of real change for the whole world of music?
Thanks and do SHARE widely! 
joey brite
jazz promoter & activist
Oakland, Ca.


https://www.change.org/p/colleen-finegan-bailey-managing-director-of-the-festival-monterey-jazz-festival-let-the-music-grow?recruiter=374980892&utm_source=share_petition&utm_medium=copylink


Monday

Monterey Jazz Festival: Hire More Women Players!

FOR IMMEDIATE RELEASE: MONDAY JULY 27, 2015            

CALL TO ACTION!!  

The upcoming Monterey Jazz Festival (Sept 18-20, 2015) has (yet another) - ALL MALE HEADLINER cast of instrumentalists!!!!!!  AGAIN!!!! With one exception: Geri Allen on piano. (Sheila Escovedo is performing as well, but not as a solo headliner.) There are about 4 female vocalists. Again. When the HELL are they going to GROW A CLUE?!!!!!                   Please join our campaign to draw attention to the outright exclusion of female jazz instrumentalists by TAKING ACTION in ANY of the following ways starting NOW & throughout August: 

1) Tweet the following by copying & pasting in its entirety: 

 @MontereyJazz 2015 lineup represents #MalePlayersTakePriorityInHiring #FemalePlayersComeSecond
  
2) Write to them (send an email & copy us on it) with the following sentiment: 
"You need to review your mission statement. YOU EXCLUDE female jazz instrumentalists as headliners for the most part. By doing this, you are actively participating in the old-boys club of sexism that the ACLU will learn about as they are now learning in Hollywood. Female instrumentalists have now and always have been extremely important as role models for the growth and representation of breadth in the jazz genre. Please address this immediately by vowing to increase the number of female instrumentalists as headliners by at least 30% for your 2016 line-up. #WeWantChangeNow #CantWait
Here's their email:  jazzinfo@montereyjazzfestival.org
Here's ours: behindthecurtainproductions@gmail.com

3) You can call them directly and ask to speak to the festival promoters and just read out the speech above. The direct MJF line: 831.373.3366 
  
4) Fax them if you like with a typed out version of the exact language above: 831.373.0244

Thanks for reading this. Please spread the word.
joey brite in Oakland, Ca. 
ADMIN for Facebook Page: SUPPORT INCLUSION OF FEMALE JAZZ MUSICIANS
https://www.facebook.com/SupportInclusionofFemaleJazzMusicians?fref=ts

Also: https://www.facebook.com/LettheMusicGrow?fref=ts

Friday



Roberta Donnay & The Prohibition Mob Band
Freight & Salvage in Berkeley, Ca.
Thursday night Jan. 22, 2015

VOCAL STYLIST, WAJEEDAH, IN CONCERT DEC. 6, 2014 IN OAKLAND, CA.


WAJEEDAH WILL BE PERFORMING AT MUSICALLY MINDED ACADEMY IN OAKLAND, CA. ON SATURDAY DECEMBER 6, 2014.

HOWARD WILEY ON SAX, FRED RANDOLPH ON BASS, with BEN FLINT ON PIANO & ACTING AS M/D.

TICKETS: https://wajeedah.eventbrite.com

BEHIND THE CURTAIN PRODUCTIONS IS PROUD TO HAVE BEEN INCLUDED IN  WORKING CLOSELY WITH WAJEEDAH ON SEVERAL OF HER PROJECTS.

HERE IS SOME FOOTAGE FROM THE YOUTUBE CHANNEL:
https://www.youtube.com/watch?v=cBrNoroJmBU

https://www.youtube.com/watch?v=TNqhk489kcI